In a website platform exclusively developed for this digital exhibition, readers use their touchscreen to shift amongst artworks, together a non-linear, forking path. The artists of not in, of, alongside, or relating to a line handle technological agency, self-willpower, and technology’s guarantee of liberation — or threat of suffocation. 

Four new commissions by The NYU Abu Dhabi Artwork Gallery answer in aspect to the pandemic’s purpose in our technological lives. Cao Fei makes use of augmented fact to produce an imaginary close friend for her son. Lee Blalock carries on her Ev3ryd4y Cyb0rg sequence, bringing her human-machine hybrid character into the COVID-19 lockdown. Addie Wagenknecht utilizes the YouTube make-up tutorial to educate cybersecurity in an available and humorous way, addressing current occasions in the US. As for the mysterious last fee, the exhibition’s curators say, “Like other museums, we are happy to present a digital tour of our physical house, exactly where Maryam Al Hamra has curated an exhibition from a museum in an alternate actuality.” 

Jointly with present function by Sophia Al-Maria, Zach Blas, Eva and Franco Mattes, micha cárdenas, and the trio of Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, these commissions take a look at how identities, histories, and futures are produced, remodeled, or invented.

The exhibition is curated by Maya Allison (Govt Director of The NYUAD Artwork Gallery) and Heather Dewey-Hagborg (“bio-hacker” artist and NYUAD faculty). They observe how digitally born artwork struggles in exhibition halls: as a non-object, it lives between the “object-ness” of the keep an eye on and the “virtual-ness” of the digital artwork’s primary type. These days, we maintain that screen, that earth, in the palm of our palms. The smartphone was previously an extension of our bodies ahead of the pandemic. In a way, we have all presently embarked on a journey of self-modification via know-how. 

not in, of, along, or relating to a line is on look at by means of July 10, 2021. Enter the exhibition at

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