As the fear of a next wave of COVID-19 swept through Germany in the drop of 2020, photographer and artist Jörg Gläscher resolved to channel his own fear into a job that felt likewise vast and domineering. “I was doing work (with the idea of) the pure electricity of character, the all-destroying pressure, which delivers just one of the richest countries in the entire world to a entirely nevertheless stand,” he tells Colossal. “A wave is a periodic oscillation or a distinctive disturbance the condition of a procedure.”
Involving November 2020 and March 2021, Gläscher put in his days in a secluded area in close proximity to Hamburg, exactly where he collected deadwood and manufactured nine enormous crests—the largest of which spans 4 meters higher and 9 meters wide—that overwhelm the forest flooring in undulating levels of branches and twigs. Just about every iteration, which he photographed and then instantly ruined in buy to reuse the components, overwhelms the present landscape with swimming pools of the formerly flourishing make any difference.
Gläscher’s installations are aspect of a greater diaristic project he started at the beginning of the pandemic. Due to the fact then, he released a few publications to present the will work that selection from images to sculpture in 1 location, which you purchase together with prints in his store. Locate more of his multi-media jobs on his site and Instagram. (by means of This Is not Contentment)
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